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Resources
Bibliography Urban Issues Archimedia, “Archifesto:
Towards a Digital Urbanisation of Radical Difference,” Sarai Reader 02:
The Cities of Everyday Life, Sarai/CSDS and SONM, 2002, 269–274. Hilton Judin and Ivan Vladislavic, eds. Blank: Architecture, Apartheid and After, NAi, 1998. Henri Lefebvre, Writings on Cities, Blackwell, 1996. Rory Bester, Democracy’s Images: Photography and Visual Arts in South Africa, Umeå, 1998. Lindsay Bremner, Johannesburg: One City, Colliding Worlds, STE, 2004. Annie E. Coombs, History after Apartheid: Visual Culture and Public Memory in a Democratic South Africa. Duke University Press, 2003. Achille Mbembe, “Aesthetics of Superfluidity,” Public Culture 16, 3 (2004), 373–405. Achille Mbembe, “African Modes of Self-Writing,” Public Culture 14, 1 (Jan. 2002), 239–273. Simon Njami, Africa Remix, Johannesburg Art Gallery, 2007. Liz McGregor and Sarah Nuttall, eds., At Risk: Writing On or Over the Edge in South Africa, Jonathan Ball, 2007.
India Keya Ganguly, “Carnal Knowledge: Visuality and the Modern in Charulata,” Camera Obscura 37 (1996) 157–186. Jyotindra Jain, Indian Popular Culture: The Conquest of the World as Picture, National Gallery of Modern Art, New Delhi, and Ajeepay Press, 2004. Geeta Kapur, When was Modernism: Essays on Contemporary Cultural Practice in India, Tulika, 2000. Johan Pijnapel, Crossing Currents: Video Art and Cultural Identity, Netherlands Embassy, New Delhi, and Mondriaan Foundation, 2006. Chaitanya Sambrani, ed. Edge of Desire: Recent Art in India, Asia Society and Art Gallery of Western Australia, 2005. Sarai Reader 02: The Cities of Everyday Life. Sarai/Centre for the Study of Developing Societies (CSDS), and The Society for Old and New Media (SONM), 2002. Gayatri Singha, Middle
Age Spread, Imaging India 1947–2004, National Museum, New Delhi, and
Anant Art Gallery, 2004. Globalization and Its Impacts Arjun Appadurai, Modernity at Large: Cultural Transformations of Globalization, University of Minnesota Press, 1996. Kwame Anthony Appiah, Cosmopolitanism: Ethics in a World of Strangers, Norton, 2006.
Lipika Bansal, Paul
Keller and Geert Lovink, eds., In The Shade
of the Commons: Towards a Culture of Open Networks,
Waag Society, 2006.
pdf Antonio Negri and Danilo Zolo, “Empire and Multitude: A Dialogue on New Order of Globalization,” Radical Philosophy 126 (July–August 2003), 23–37. Saskia Sassen, ed. Global Networks, Linked Cities, Routledge, 2002. McKenzie Wark, “Globalisation from Below: Migration, Sovereignty, Communication,” Sarai Reader 02, Sarai/CSDS and SONM, 2002, 342–349. pdf
Homi K. Bhabha, The Location of Culture, Routledge, 1994. C. Greig Crysler, Writing Spaces: Discourses of Architecture, Urbanism and the Built Environment 1960–2000, Routledge, 2003. Hubert Damisch, Skyline: The Narcissistic City, Stanford University Press, 2001. Jacques Derrida, On Cosmopolitanism and Forgiveness (1997) Routledge, 2001. Michel de Certeau, The Practice of Everyday Life (1980) University of California Press, 1984. David Harvey, Social Justice and the City, (1973) Blackwell, 1998. David Harvey, Spaces of Capital: Towards a Critical Geography, Routledge, 2001. Jean Luc Nancy, The Inoperative Community, University of Minnesota Press, 1991. Johanna Billing, Maria Lind and Lars Nilsson, eds., Taking the Matter into Common Hands: Contemporary Art and Collaborative Practices, Black Dog Publishing, 2007.
Zanny Begg, “Photography and the
Multitude: Recasting Subjectivity in a Globalised World,” Borderlands
4, 1 (2005). Okwui Enwezor et al., Documenta 11_Platform 5: Ausstellung, Katalog, Hatje Cantz, 2002. Dilip Parameshewar Gaonkar, “Toward New Imaginaries: An Introduction,” Public Culture 14, 1 (Jan. 2002), 1–19. Anthony Hoete, ROAM: A Reader in the Aesthetics of Mobility, Black Dog Publishing, 2004. Markus Miessen and Shumon Basar, eds., Did Someone Say Participate?, MIT Press, 2006. Jacques Ranciere, The Politics of Aesthetics: The Distribution of the Sensible, Continuum, 2006. Yasmil Raymond and Doryun Chong, Brave New Worlds, Walker Art Center, 2007. Raqs Media Collective, “Double Take: Looking at the Documentary,” 2000. Nina Sosna, “Images between Documentary and the Fictive,” Politics and Culture, 2008, no. 2. Philippe Vergne, ed., How Latitudes Become Forms: Art in a Global Age, Walker Art Center, 2003.
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